#Trombone alternate position chart how to#
#Trombone alternate position chart trial#

This allows the player to play 6th position notes in 1st, and 7th position notes in 2nd. The attachment makes the instrument the equivalent of 5 positions longer when the trigger is activated. The notes that are commonly played in each position without any attachments engaged are as follows:ĥ:ğ#2/Gb2Ĝ#3/Db3 G#3/Ab3ĝ#4/Eb4Ě#4/Bb4 The top line is valid for all tenor and bass trombones, the second line for all bass trombones and tenor trombones with an F-attachment, and the last line is only for bass trombones. This slide position chart shows where the bar of the outer slide should be in each position. Have fun – and I promise that you can use this stuff in your improvised solos! Now go puff in that trombone.These are the fundamental notes and positions you need to learn. You should practice the same pattern in all the other keys as well. I could list at least six very different chords where the same pentatonic scale sounds great – more about that in the member’s section in the article Pentatonic scales in use.Īll the patterns in the sheet music gallery are based on F minor pentatonic scale.

#Trombone alternate position chart trial#

As a DigitalTrombone member, you will find over 70 pages with trombone sheet music just about pentatonic scales, spread out over 6 chapters, so if you want to dig deep, I suggest you start your free trial now. The patterns below are just a few samples of what you can do with a pentatonic scale. Loads of pentatonic patterns in the member’s sectionīut before I get too carried away with advanced jazz theory – now is the time to make sure you have the scales down in all keys. Playing a tenorbass trombone or bass trombone. If there are two ways to play it, click the Switch Position button to switch between the two. And you get to play them in a comfortable and recognizable pattern. Click the note on the sheet to show the position to use. Here you play the 3rd, b5, 6th, 7th, and the 9th, all the juicy notes of the chord. Take the C minor pentatonic scale over a Dbmaj7. Pentatonic scales are a nice tool when you want to play some of the upper structures of the chords. But have you tried to play it over an Fm9, Abmaj7, Dbmaj7#11, or an A7alt? Hit one of the chords with the sustain pedal on a piano and try shredding the pentatonic scale over it. Of course, you can use it on a C-7 chord. For example, take the C minor pentatonic scale. Now what? I use them a lot when I improvise. I often practice these scales as a purely technical exercise, working on topics like phrasing, agility, and high range. Most of them are rather logical and easy to play on the horn, and you’ll probably discover that some of the more uncommon trombone keys are quite comfortable as well when it comes to pentatonic scales. When you work on pentatonic scales, you’ll notice that they are quite well suited for the trombone. I’ll get back to the blues scale later on, although the two scales are often interchangeable.

#Trombone alternate position chart how to#

This post is about the pentatonic scale, and how to use it. So the pentatonic scale has five notes and the blues scale has six. The blues scale is identical to the pentatonic scale, but it also consists of the b5 (or #11). There’s a small but important difference. It is a great way to build up your technical skills on your trombone and learn to better find your way around the horn. Trombone lesson: Pentatonic scales – how and whyĭo you know your minor pentatonic scales? And I mean really know them, up and down and inside out? I recommend that you spend some time with those five tones in all keys.